![]() ![]() It might not hurt to ask a Panasonic product specialist about the two options if you get the opportunity, though. If somehow ProRes was available directly (which it's not), then you'd want to shoot MOV. On the flip side, what makes MP4 bad for editing is what makes it strong for delivery.įrom the documentation, it looks like it's H264 in a MP4 wrapper or H264 in a MOV wrapper for the Panasonic UX90. (1080p ProRes422 HQ requires about 1.3BG per minute.)Įverything that this white paper discusses (frame size, frame-independent, chroma sampling, sample bit depth, data rate, quality, editing performance, flexibility, peak signal-noise ratio) is what makes ProRes excellent for editing and it is everything that MP4 is not. If you're creating content for broadcast, cable, streaming services go with ProRes422 HQ. (1080p ProRes422 LT requires about 700MB/minute.) If you're creating content for social media, go with ProRes422 LT. Then, as needed, drop that into Media Encoder to create whatever you need for delivery. That is: transcode all of your camera originals to ProRes set your Sequence Video Previews to ProRes Export your edited master to ProRes. Take advantage of what Premiere Pro calls Smart Rendering (everything will be faster). Otherwise, no, do not keep everything MP4. Save even more with the purchase of any other tutorial in our store.If you're doing really quick turn-around content for social media with very light editing and minimal or no color correction, then maybe keep your source MP4. If you'd like to learn how to make your own videos and don't know where to start, check out our filming and editing tutorial, Introduction to Video. If you purchase it now, you can save a 15% by using " ARTICLE" at checkout. *Disclaimer: Depending on your source video, you may need to adjust the preset to fit your needs. ![]() See how the amount of text in your ad image will impact the reach of your ad.
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